CHAIN REACTION (1996) - Keanu outruns a nuclear blast. Twice.

A word of warning to you, the readers: if you hate Keanu Reeves with every single fiber of your body and a passion that burns brighter than a thousand red giant stars, avoid this movie like you'd avoid Bubba in the jail showers. This isn't just a Keanu Reeves movie. This is the Keanu-est movie ever made. You might be thinking, " but, Guy Movie Blogger, surely you jest!" But sadly, no. He displays the same constipated look in every scene. He delivers every line with his world famous expressionless, monotone voice. Best of all, he looks bored to death regardless of the situation. A friend gets shot? Poker face. Car gets stolen? Poker face. His nipples catch fire? Poker face.

Even a shit-tastic movie can be slightly improved by Rachel Weisz.

As is typical in most 90s action movies masquerading as thrillers, Chain Reaction tries to pretend it's a smart movie and deals with government conspiracies and throws some science mumbo jumbo about cold fusion at you. Eddie Kasalivich (Keanu Reeves) is a machinist at the University of Chicago, working alongside physicist and obvious love interest Lily Sinclair (Rachel Weisz) as part of a team trying to create bubble fusion as a means to provide for a plentiful and cheap supply of clean energy. Leading the project is Paul Shannon (God... err, Morgan Freeman) who seems to be a big wig of some sort and has all the hook ups with the government for funding the experiments. Staying up late to work, Eddie discovers a breakthrough for the experimental machine, and with Eddie's machine parts, the next day the team celebrates their first stable bubble fusion reaction.

The team breaks out the Dom Perignon and get smashed drunk to enjoy their success. There is however, something rotten in the state of Denmark, as they say.The party ends and, Eddie, being the gentleman that he is, walks the wasted Lily home after her piece of crap Volvo refuses to start. After taking her drunk ass home, he heads back to the lab to get his motorcycle. Arriving at the compound, Eddie investigates the alarms going off inside, and finds his mentor Dr. Alistair dead and another researcher, Dr. Chen (an Asian guy, in case you were wondering) missing. Even worse, the fusion reactor set to explode in a matter of minutes. Eddie makes a run for it and hops on his bike, speeding away from the lab until the reactor explodes in a huge atomic blast, which he then outruns on his motorcycle.

Keanu Reeves outrunning a nuclear explosion while constipated. How's that for multitasking?

After a few square blocks of prime Chicago real estate are reduced to rubble, the FBI show up to investigate, and the first to be questioned is poor Eddie. Leading the investigation is Agent Ford (Fred Ward) and his fat assistant who I will not bother to name, seeing as all he does in the movie is be fat and nod or agree with whatever Agent Ford says.  Eddie is released and meets up with Lily, where they soon realize that someone is framing them for the explosion and murder of Dr. Alistair. Money and messages to China are planted at their places, and they're forced to reach out to the program director Paul Shannon for help. Shannon urges them to surrender, but they refuse and are soon on the run, avoiding the FBI and trying to clear their names at the same time. Shannon seems to be involved in shady stuff, and it's ultimately up to Eddie and Lily to find out who was behind the attack and how they can be stopped.

Fred Ward trying his best to be Tommy Lee Jones. Note the fat man in the background.

The protagonist has been framed? One of his closest friends murdered? An ally may not be what he seems? A tough cop on his trail? Hmmm... that sounds eerily familiar to this little ditty of a blockbuster called The Fugitive. Except of course, that Andrew Davis directed both of these movies, and was apparently happy to take liberal chunks out of that movie to make this one. It mostly works, in the sense that Chain Reaction has good scenes with plenty of tension and action, and the chase scenes are well done. Everything else just seems like a tired rehash of stuff you've seen before. There's only so many ways this kind of story can be told, and unless the guys behind the camera take a ballsy approach like in No Country For Old Men, a movie like this can't help but feel derivative. I'd say the only real highlight of the movie is Morgan Freeman, who makes any scene feel a lot more important than it really is by virtue of his badass voice.

Brian Cox arguing with God.

The best way one could describe Chain Reaction is by saying that it's a lot like eating a bag of Doritos. It's lightly filling and pretty enjoyable even though you know they're bad for you. After you're done, you're left wondering why the hell you just ate them and trying to figure out how to get that damn Nacho Cheese residue off your fingers. Chain Reaction tries really hard to be The Fugitive and to make a Harrison Ford out of Keanu. It fails on both counts, especially in the later. For god's sake, a beach ball has more charisma than Keanu in this flick. As a way to kill off a few boring hours though, you could do a whole lot worse. After all, you could be watching Burlesque...

TL;DR - Keanu discovers fusion. Keanu never smiles. Keanu runs from things. - 5/10

BURIED (2010) - Being buried alive sucks. Even if you're Ryan Reynolds.

It seems like Ryan Reynolds has apparently made a career out of romantic comedies. Go to a Blockbuster (if there's any still around) and walk over to the romance aisle and close your eyes. Pick out a random DVD and there's a good chance it'll have his face with a quirky smile, his arm around some chick, and a fantastic title like Definitely, Maybe. If you're really lucky, the cover might even have some kids on it. Luckily, there is light at the end of the tunnel. Now that he's becoming richer and more famous, he's been taking on better (better as in, more fighting, shooting, exploding things, etc) roles like Deadpool, a Blade sequel and the upcoming Green Lantern.

Even Ryan Reynolds gotta eat...

Buried is one of his latest movies, and is simply one of the most tense and exciting movies to come out in 2010. Normally when you hear the words "foreign" and "Indie," you think of shitty dramas or some hipster art film about a girl who collects dead birds and falls in love with a gay record store owner. Thankfully, there's no need for such worrying here.  The premise of the movie is simple enough: Paul Conroy is an American truck driver, working as a contractor in war torn Iraq. He wakes up one day, much to his chagrin, inside a fucking coffin. Spanish director Rodrigo Cortés manages to make 94 minutes of a guy stuck inside a box seem like a roller coaster ride. ¡Viva España!

Buried alive with no decent games on your phone. What the hell could be worse?

The movie starts with no introduction and no explanation. Paul wakes up in the pitch black, fumbles around and has a panic attack. He finds his lighter, flicks it on, and to his horror realizes he is inside a coffin. At first, he has absolutely no idea why he's been.... well, you know, buried alive. To his surprise, his BlackBerry is still on him. Piece by piece he manages to recreate what happened to him the day. He remembers that the convoy he was driving in was ambushed by insurgents. The rest of the drivers were murdered, and Paul had such shit luck the Iraqis decided to have a good laugh and bury him alive. He manages to get in contact with the FBI, his employers, and eventually his wife. Things however, might not be exactly as they seem. At first, no one believes his story. His employers are somewhat sketchy, the FBI investigator doesn't sound too convincing, and to make things worse, he gets a phone call from the asshole terrorist who put him in the box to begin with. Oh yeah, the guy wants a $5 million ransom or he'll let Paul suffocate to death.

Claustrophobic? Sucks to be you, Paul...

Paul will have to deal with the FBI trying to find him, the terrorists trying to get their ransom, his employers trying to wash their hands of the whole ordeal, and the slow death of his cell phone battery. There's a few good twists around the halfway part of the movie that had me wanting to high five someone. Needless to say, this is an intense movie. Scenes move quickly, and things begin to spiral out of control at what seems to be a frantic pace. Reynolds does a great job with his role, as we see Paul run through the whole gamut of emotions you'd expect from some poor average guy stuck in the middle of some Middle Eastern hellhole, buried in a box underground and tortured over the phone by a gruff voiced Iraqi. Despite the limited setting, the camera moves around a lot, and there are some very cool scenes inside the coffin, which contrasts nicely with the drama that comes from Paul's phone conversations.

FOREVER (BURIED) ALONE.

Although it's somewhat of an unknown indie film, Buried was among the best movies of 2010 - it stuck to its premise very well and delivered a fresh take on the thriller genre that lately has been turning out loads of crap upon crap. It's fun. It's thrilling. It's somewhat unpredictable. Reynolds does a stand-up job and keeps your attention despite the fact you'd expect people would get sick of seeing a single face throughout the entire movie. The pacing is very fast, the tension very well done, and the ending was one of the most satisfying I've seen in a long while. It's a shame this flick went under the radar for most people. Definitely recommended.

TL;DR - Buried alive in the Iraqi desert by terrorists with only a cellphone for company. Damn what a rush - 8.5/10

MICHAEL CLAYTON (2007) - Legal drama? Awesome? You bet.

I was a bit hesitant over whether I should review this movie here or not. I told myself when starting this blog that it would be dedicated to manly (that is to say, mindless) action movies and the like. I decided I would go through with it after all because in the end, Michael Clayton is a pretty slick movie, and although George Clooney doesn't do much womanizing, shooting or throw out one liners, it was an very enjoyable flick that had some great moments.

In one of the best openings for a movie in a while, manic depressive trial laywer Arthur Edens (a fantastic Tom Wilkinson) goes on a wild rant about a case he's been working for. I won't spoil any of it, but let me just say his snarling delivery is great and I felt like putting down my delicious ham and cheese sammich and just giving the guy an ovation. I added a link at the bottom of the review if you want to check it out. Anyways,  Edens is on the edge of a nervous breakdown, and is confessing confidential information about a huge class  action lawsuit that could cost his client and his bosses billions of dollars. He is confessing to Michael Clayton (George Clooney), who works for the same firm as Edens as a "fixer" - the go-to guy when there is a legally dubious problem to be solved as soon as possible and with no questions asked.

Edens (Wilkinson) is crazy. Or is he? Clayton (Clooney) has to figure out what the hell is going on.

The movie then rewinds back to a few days earlier. We learn that Edens is defending U-North, a multinational agricultural company in a controversial case dealing with deadly pesticides. Edens has a crisis of conscience, and strips naked in the middle of a videotaped deposition, and threatens to go public with information that could lose the case for U-North and embarrass his law firm bosses. The law firm sends Clayton to meet with Edens and try to defuse the situation before he does any more damage to their case. At the same time, Karen Crowder (Tilda Swinton), who is general counsel for U-North, realizes it will be her ass on the line if Edens ruins the case, and orders two shady guys to start following Edens.

Tilda Swinton as the desperate big wig out to save her job at all costs.

Things soon spiral out of control, as Clayton battles his gambling debts and his attempts to convince Edens to shut his damn mouth, while Edens escapes from custody, and Karen Crowder becomes increasingly desperate and dangerous with her decisions on how to deal with Edens and Clayton. The high stakes have every person on edge. Tension? Intrigue? Murder? Car bombs? Big companies doing bad things? Yeeeeah, you know it.

Look at that suave bastard. Not the kind of guy you'd want to piss off.

I can't have enough praise for Tom Wilkinson. He has far less time on screen compared to Clooney, but he eats up every minute of it. He is a beast with his material, and it was absolutely no surprise he was nominated for a Best Supporting Actor Oscar that year. Wilkinson is usually good in anything he does, but he's in top form here. Clooney turns in a good performance as well, and Swinton is great to watch as well, as we see her confidence slowly implode and her desperation leads her to make very dangerous decisions. In a movie that relies so much on dialogue instead of physical action, the cast has to be excellent, and in this case, it is.

Michael Clayton is a dark, grimy legal drama, that despite its serious subject matter is a thrill ride in disguise. There's more to it than you'd expect, especially in the last half hour as all of the loose ends fall into place and the adrenaline starts flowing, leading up to a very cool finale. I'm usually lukewarm when it comes to legal dramas, but this is one of the best of the type ever made. Very satisfying. Give it a chance even if you're not a fan of the genre.

TL;DR - Clooney and Wilkinson deal with shady corporations and do a hell of a job - 8.5/10

UNSTOPPABLE (2010) - The little train that could

Chances are you've heard of a guy named Ridley Scott. The director behind classics like Alien, Gladiator, and Blade Runner. It's likely you don't hear much about his younger brother Tony Scott, who's got a respectable amount of movies under his belt, even though he mostly specializes in big budget action movies and lighter fare compared to his big bro. All is good though, since it's a well known fact that once you've seen a Tony Scott movie, you'll be able to identify any of his other movies without going on Wikipedia and cheating. You'll be a Trivial Pursuit champ. Just remember: loud, fast, action and pace. That's what the guy goes for, and what he usually ends up with.

Captain Kirk and Detective Alonzo Harris... I mean, Chris Pine and Denzel trying to avert disaster.

What could possibly be louder and faster than a big ass train going 70 miles per hour with no one controlling it? Maybe Oprah Winfrey, but she's put on weight lately. Unbreakable begins with a fumbling fat guy working at a rail yard, who in his attempt to be as lazy and fat as possible, does a crap job of moving a train when ordered to. He neglects to fix the disabled air brakes on the train, then gets out of a moving train (with throttle set to 100%) to change a railway switch, and when the train starts to leave him behind, runs after it and falls flat on his face. Train #777 (the big, red shiny one from the trailer... you can't miss it) is now out of control, loaded with thousands of tons of toxic chemicals, and headed for a collision course with Stanton, Pennsylvania. Thanks a lot, fat guy.

Is it bad that I found myself cheering for the train to smash as much stuff as possible?

While the railway company attempts to stop the runaway train (and fails in spectacular fashion), we meet two other workers starting their shifts at another yard. Will Colson (Chris Pine) is a rookie, and is assigned to work with 28-year veteran Frank Barnes (Denzel Washington). Their routine task for the day is to move a few wagons of cargo to a nearby factory. They are soon contacted by the local yardmaster, Connie (Rosario Dawson) who is by now supervising the efforts to rein in the unstoppable red machine of death and destruction known as train #777. Will and Frank's train and 777 are set to collide head on, and they must find a way to avoid dying a grisly death and ending up on the morning news. Oh yeah, almost forgot. Will and Frank will also end up having to try and stop 777 before it and its toxic cargo wreck the shit out of Stanton. Good times ensue, of course.

Rosario Dawson didn't even  have a bikini scene. Tony Scott, please... Step. Up. Your. Game.

Chris Pine does a stand up job as Will, though it's not exactly a demanding role, while Denzel seems to just cruise around the scenes. The guy's got so much charm that he could be reading his lines on the toilet and he'd make a convincing train conductor. It's just difficult to have a bad movie with Denzel in it. The script is neat and basically confines itself to trying to up the tension as far as it will go, and it's the correct choice for this sort of picture. It's a race against time, and a theme that fits Scott's directing style well. My main gripe with the movie is the abuse of the quick cuts and flashing scenes throughout the movie, something Scott is damn near infamous for. Some people love it, some hate it. I'm one of the latter. It's distracting and adds little to the scenes besides pissing me off. Besides that, Unstoppable does its job remarkably well: keep me entertained for its running time. What more can you ask from a popcorn flick? You can't fault a movie that knows exactly what it sets out to do, and then does it with no frills.

777 kicking ass and taking names.

Tony Scott has made his share of crappy movies, but thankfully Unstoppable manages to rise above the level of mediocre and is a good, exciting time on the screen. If there is one thing Scott is good at, is building excitement and keeping a breathless pace. There's no Oscar caliber acting, no fantastic script anywhere to be found, but there is heaps of adrenaline and a fun ride. A popcorn movie to the max.

TL;DR - Denzel and Captain Kirk do their best to try and prove the film's title wrong - 7.5/10

UNTRACEABLE (2008) - When Internet trolls become murderers.

 Untraceable came out a few years ago and completely flew under my radar. I only remember seeing a brief glimpse of the trailer at the theater thinking that Diane Lane is still pretty damn hot for her age (so sue me). Oh yeah, and Tom Hanks' son was in it, so I figured my sister, who is a huge Tom Hanks fan, would probably end up watching it. In any case, a friend recommended it to me after we had mentioned the movie Se7en in conversation. Truth be told, it is a passable thriller, but nowhere near as good as Silence of the Lambs or Se7en. Not by a long shot...

Diane Lane stars as a cyber nerd working for the FBI. She probably hates ebaumsworld.

Jennifer Marsh (Diane Lane) and Griffin Dowd (Colin Hanks) are FBI agents working assigned to the cyber crimes unit in Portland. By night, they patrol that dastardly place known as the Internet, and take on the evils of the world like peer-to-peer networks, credit card scams, and murdering psychopaths. After an anonymous tip, Jennifer and Griffin begin to investigate "KillWithMe.com." The site is run by a sadistic bastard who posts a live streaming video of a kitten being tortured. The site starts getting visits, and is apparently very difficult to shut down. Jennifer informs her superiors about the website, but seeing as how the servers hosting the site are located out of their jurisdiction in Russia and only a cat was hurt, she's rebuffed.

Colin Hanks up in this bitch!

A few days later, the sadist moves on to torturing humans. A poor schmuck gets kidnapped at a hockey game, and becomes the next attraction on the site. The site displays a message, claiming that the more visits the site gets, the faster the person will be killed. Within hours, the site starts receiving millions of new visitors. Finally, Jennifer's bosses realize they have a real problem on their hands. Another FBI agent is sent to assist Jennifer in the investigation, as the website's owner starts killing more people in more gruesome ways. The stakes get higher once the killer begins to target Jennifer's family and her colleagues at the Bureau.

KillWithMe.com. New site, same old retard YouTube comments.

Overall, Untraceable is a passable thriller. It didn't win any awards, and it sure as hell didn't really deserve any. It follows most horror movie/slasher cliches down to a t, and the only saving grace to it is Diane Lane who does a good job with her role. Colin Hanks is fairly decent as well, but it's hard for anyone to shine when the script is so lame. One of my biggest problems with the movie was the ridiculous amount of stupid mistakes. For one, the FBI and the government, with all its money and resources, can't shut down a single website? Come on now. And Jennifer makes several stupid, stupid mistakes that no cop would ever do. In one scene, she's an experienced, smart cop, and in the next she's a typical horror movie bimbo who can't think to save her life.

Serial killer movies are hard to pull off, it's no surprise. What makes Untraceable score even lower than I'd normally give this type of thriller is the fact that it apparently has some sort of "message" about society's fascination with torture porn and sadism. * Yawn. * Yet, the movie tries to squeeze as much shock potential out of it's own scenes of grisly torture. A dude gets bathed in sulfuric acid, another gets burned alive with heating lamps, etc. Hypocrites.

TL;DR - A serial killer streams his murders online. Still gets less views than Keyboard Cat - 4/10

ESCAPE FROM NEW YORK (1981) - Snake Plissken. Need I say more?

The first thing that I'll say about this movie is this: the Escape From New York poster is one of the coolest film posters ever made. It's just out there, and everything about it is just class. It even influenced the movie Cloverfield, in which the monster rips off the Statue of Liberty's head and chucks it across New York at some annoying hipsters. Badass. Anyways, about the movie itself. It's got Kurt Russell in it. It's a product of the 80s. . Oh yeah, and it's also directed by John Carpenter, who made The Thing and Halloween. Put two and two together and you know you're in for one hell of a great cult classic

400%? Hmm... still safer than Fresno, California.

Escape from New York takes place in a dystopian future for the United States. World War III has been going on for a few years, cities have been burned to ashes, millions of people nuked, and both the Americans and Russians are trying to finally end the war. Because of the decay of American society and the crime increase, the entire city of New York has been turned into an enormous prison, surrounded by guys with machine guns, barbed wire fences, and a huge concrete wall. Inside, there are no guards and no authority: the prisoners are free to do whatever the hell they want. The city has basically been left to fend for itself and anyone caught inside is, well... shit out of luck, as they say.

Kurt Russell wearing an eye patch. Awesome? Why, yes. Yes it is.

Of course, this becomes a big problem when Air Force One is shot down en-route to some international conference, and the President's escape pod ends up landing somewhere inside the rapist and murderer infested city. It's up to the government to find a way to rescue the president before the deadline to his speech with the Russians, or else something bad might happen. I guess something worse than World War III, if there is such a thing. Oh well. The government turns to a convict, Snake Plissken (Kurt Russell), who is an ex-commando and generally an all around badass. The thing is, Snake doesn't give a damn about the president, or his country, for that matter.

The police commisioner Hauk (Lee Van Cleef) offers Snake a deal: in return for saving the president and the data he was carrying with him, he'll be given a full pardon and be made a free man. Snake reluctantly agrees, and is about to head out to start the mission when Hauk pulls a fast one on him and informs him the government has injected a small bomb into his artery, which will explode in 24 hours. If he wants to live, he better bring the president back in one piece or they won't dis-activate it. Those bastards...

The best thing about the 80s was the hair. The worst thing? Also the hair.

Snake is sent off to find the president. He sneaks into New York with a glider, landing on the World Trade Center, and thus starts his epic adventure across the shithole that was once a city. Escape from New York relies very heavily on Russell's performance as a somewhat likable anti-hero. It's a good thing though, since Snake is such a cool character. He is just apathetic about everything. He doesn't mind shooting someone in the face, and his only motivation to get out of NY with the president is to get his revenge on that bastard Hauk who back stabbed him. The dystopian New York is as big a character as well. It's a dirty, menacing place overflowing with pyschos and degenerates. John Carpenter keeps things interesting and avoids slowing down the pace in exchange for some great action scenes and suspense. The main theme music is a classic too. I'll hear it sometimes on TV or in the background somewhere and always reminds me of what a great movie this is.

If you love action movies and haven't seen Escape yet, you definitely should. It's a bit grittier than most other 80s movies, and has a distinct feel to it, but it is a fun ride and worth it just to see Kurt Russell at his prime before he did family dramas and Disney crap like Sky High.

TL;DR - An angry, eye-patch wearing Kurt Russell shoots, stabs, and punches his way through New York to rescue the president. Greatness follows. - 9.5/10

SKYLINE (2010) - Story? We don't need no story. We got LOUD NOISES!

The Skyline trailer came out a few months ago, and I remember thinking it looked somewhat interesting and it caught me by surprise since I hadn't heard any buzz about it. I checked it out on Wikipedia and saw it was directed by the guys behind Alien Vs. Predator: Requiem... "The Brothers Strouse." Besides thinking to myself that would be a good name for a reality show about German bakers, I realized this movie was going to suck hard. Because there's a reason you give directing credit to "The Brothers Strouse" - it's called plausible deniability. See, when the two Strause brothers realized just what an abomination of a movie they were going to release, they knew that in ten years they wouldn't want their name on it. So by having just their last name on the credits, each could blame the other brother for the movie in case they were ever confronted by an angry, knife-wielding schmuck who wanted his $11.50 back after watching Skyline.

Aliens crashed the party and didn't bring booze. What a party foul.

Jarrod (Eric Balfour) and his girlfriend Elaine (Scottie Thompson) fly to California to spend a few days with his old friend Terry (Donald Faison), who is apparently filthy rich and famous or something. They are celebrating his birthday at his snazzy Los Angeles apartment, and joined by Terry's girlfriend Candice (Brittany Daniel) and his personal assistant Denise (Crystal Reed). The morning after the birthday bash, one of the guys staying in the house is awakened by bright blue lights coming in through the blindsm stares directly at it, and we see his face becomes covered with purple veins and bruises. All of a sudden he is sucked out the window and disappears. The rest of the group wakes up and soon finds out that giant alien space ships are floating over L.A. and are vacuuming up thousands of people for no apparent reason. Jarrod stares at the light as well, but is saved from being vacuumed out himself. The group then has to decide whether to make a run for it and try to leave the city or stay in the apartment and hope for the best.

Save yourself! It's the attack of the giant blue LED lights from space!

The entirety of the movie takes place in the apartment complex. It doesn't take a rocket scientist to realize that you need interesting characters to keep the audience hooked. Misery, which mostly takes place inside a single bedroom, works because Kathy Bates's character is downright amazing as the psychotic bitch nurse from hell. In Skyline, it fails so hard because the characters might as well just die in the first five minutes and nothing of value would be lost. You don't learn anything about them, they don't develop, and you plain just don't give a damn about them. They're boring and have nothing interesting about them. In fact, Terry was the only one that even seemed likable, but since he's the Token Minority Character, you don't have to guess who'll end up dying first.

There could have been hope if at least the aliens were interesting. But no... Skyline had to go and break the cardinal rule of alien invasion movies - no boring aliens. These aliens look like flying metal squid. Well, whoop-de-doo. They're also too stupid to figure out how to grab people inside buildings. The aliens get no back story either. They just show up, start vacuuming up humans, and just chill in L.A. Boring, stupid aliens. Gee, what a thrill.

Hey, it's Turk from Scrubs packing a 9 milli. Giant alien space ships don't stand a chance.

Skyline has some nice eye candy at times (not that often, mind you) and well done special effects and CGI. The close ups of the massive alien ships are really detailed and hold up well in high-def. Without a story or any characters that the audience actually cares about, it's all wasted. By the time the credits roll, it feels like you just watched a demo reel of cool effects made by that weird kid that sat in the back of your class in high school and was always playing with AfterEffects on his Macbook. It's hollow, not exactly thrilling, and ultimately can't grow out of the fact that it is a cobbled together mix of scenes and ideas from other, better sci-fi movies.

The military is useless against the aliens? HOW ORIGINAL.

Like Gary Busey's teeth, Skyline is a disaster.

TL;DR - Aliens invade the world, but no one knows why. No one really cares either. Crap. - 1/10